Tag Archives: riotgrrl

Creating truth from nothing

I was recently reading the book Queercore: How To Punk A Revolution, an oral history of the Queercore punk scene, and I came across an interesting story.

One of the pivotal moments in the creation of queercore was the zine JDs, created by G.B. Jones and Bruce LaBruce. The zine documented a thriving gay punk scene happening in Toronto at a time when punk was still fairly homophobic and many gay punks struggled to find a way to reconcile their identification as both punk and gay. JDs presented a scene where these two things were able to exist side by side with no apparent contradiction. And, most importantly, here was a place where punks could be openly gay and feel accepted.

There was one issue though, it didn’t exist. The Toronto gay punk scene was in fact a handful of friends who all hung out at the same bar and a couple of whom had formed a band that occasionally played said bar. No one outside Toronto knew this though and so everyone just took them at their word and they went off and founded their own gay punk scenes all over the US and Canada because they thought that bridge had already been crossed and it was a natural normal thing.

In the book Kathleen Hanna sites JDs as a big inspiration in how she talked about riot grrl in the early days. Back when she still talked to the press about it, she would tell them that riot grrl was a national movement with groups all over the country. In truth, it was a couple dozen folks at the time, mostly in DC and Olympia, WA. Again though, people didn’t know that and so they thought they were walking down well trodden trails when in fact they were blazing brand new ones.

When I was thinking about this, it occurred to me that this wasn’t the first time I’d come across this tactic. R.U. Sirius, the original editor in chief at the infamous cyber punk magazine Mondo 2000, admitted, years after the magazine folded, that they regularly invented stories for the magazine if they couldn’t find actual people that were living the story that they wanted to tell. Again, the expectation was that people would read the article and be inspired to do their own thing, because they thought someone else had already done it.

The whole thing gives new meaning to “be the change you want to see in the world”.

Acknowledging ugly truths

I’ve seen a couple of videos on TikTok that put forward the idea that punk is inherently inclusive and that if something is sexist, misogynistic, homophobic, etc. then it can’t be punk. While I applaud actively trying to make punk inclusive for everyone, and I may be taking to video creators too literally in their comments, I’m very uncomfortable with this sentiment.

The reality is that a lot of punk’s early history is sexist and misogynistic and homophobic and transphobic and all the rest. A quick read through oral histories like Please Kill Me and We’ve Got the Neutron Bomb makes that clear. And we’re not even getting into hardcore here. To present punk as something that was always inclusive is to just ignore the history of punk. It also makes telling the story of punk difficult.

How do you explain Kathleen Hanna’s call of “girls to the front!” or the concept of girls only shows, with out acknowledging the misogynistic environment that riot grrl pushed back against?

How do you explain the importance of zines like J.D.’s and Homocore or bands like Pansy Division and Team Dresch without acknowledging the homophobia in the scene?

And beyond the concepts, there’s the simple matter of giving people their due credit. Riot Grrl and Queercore were two of the most important movements in the history of punk. Not because they gave us great bands, but because they rebelled against the rebellion. They called out the hypocrisy and bullshit of punk and they demanded that it be what it was supposed to be. That took a lot of guts and a lot of courage and it deserves to be recognized. And that recognition can not be properly given unless we’re willing to talk about how and where punk has failed.

In the end the power of punk comes from it’s honesty. This is an art form that is at it’s best when it is being brutally honest about the best and worst things about humanity. If we’re going to move this art form forward and pay proper tribute to the people who came before us, then we need to be brutally honest with ourselves about how we got here. We need to celebrate the things we got right, but we also need to acknowledge the things we got wrong. And we need to honor the people who showed us we were wrong.